The Microtubes X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have.

The Hyper Luminal Compressor features the first hybrid design in a compressor pedal: an analog VCA controlled by a digital side-chain allowed us to capture and include the characters of some of the most legendary compressors in history while keeping the signal path completely analog.

The upgraded version of the Vintage Deluxe features the warm, tube-like tones of the Microtubes Vintage and adds a 4-band active EQ, Low and High mid frequency switch, parallel output and balanced line driver. It delivers the natural dynamic response and organic compression of classic tube amps and tape machines, fitting four decades of legendary tones into a package that will fit in your gig bag.

The upgraded Vintage Ultra with Aux in features: (1) Single user loadable cabinet simulation impulse response. (2) Micro-USB B port to connect to PC/Mac to load a different Virtual Cabinet through the Darkglass Suite. (3) 3.5mm headphone output with cabinet simulation. (4) Balanced XLR output with switchable cabinet simulation. (5) A 3.5mm stereo input that allows you to practice with backing tracks from e.g. your smartphone or laptop.

The Alpha·Omega Ultra is the most versatile bass preamplifier we’ve designed: With its two distinct distortion circuits (Alpha and Omega), extremely high dynamic range, six-band active graphic EQ, dedicated headphone output and balanced direct output with switchable digital impulse-response cabinet emulation make for an incredibly complete tool for the modern bass player.

The upgraded Microtubes B7K Ultra features all the versatility and sonic possibilities of the first version plus: (1) Single user loadable cabinet simulation impulse response. (2) Micro-USB B port to connect to PC/Mac to load a different Virtual Cabinet through the Darkglass Suite. (3) 3.5mm headphone output with cabinet simulation. (4) Balanced XLR output with switchable cabinet simulation.

This creation differs greatly from our previous preamplifiers and overdrives: it is fully operational amplifier based and has two distinct distortion circuits (Alpha and Omega) which can be selected or blended using our Mod knob. This unusual control, in conjunction with the toggle switches and 3 active band equilizer makes Alpha · Omega the most flexible among our designs.

The character and core of the Microtubes B7K remains the same, still retaining the powerful dynamic saturation circuit of the B3K and adds a four-band equalizer and a balanced line driver for even greater versatility. Designed for both studio and live use, it will take your direct sound to a whole new level.

With the double distortion engine (Alpha and Omega), the Alpha·Omicron delivers unparalleled versatility, harmonic rich and bone-crushing sound. Designed for bassists in need of a preamplifier to be distinctively heard in any musical context.

Fundamentally the Microtubes B3K is the same pedal we designed nearly a decade ago, aimed to give you a perfect combination of brutality and clarity. You can guarantee that this pedal will deliver defined and powerful saturation in an intuitive format.

The Duality is a unique fuzz pedal that contains two discrete fuzz circuits—a gated saw-tooth wave and a raunchy high-gain sound—which can be mixed together to yield a vast selection of distinct sonic textures.

When musical architect Peter Diezel created the DIEZEL VH4 in 1994 he unknowingly sparked a revolution in tone, creating such a demand that he literally had no choice but to put his own personal creation into production.