The mighty VH4 head is the powerhouse that put Diezel on the map. Dissatisfied with the sounds from commonly available amps, rocker Peter Diezel created the VH4 tone monster in 1994 just to please himself – and got so many requests from tone-hungry fellow guitarists for their own Diezel amps that he had to put the VH4 into production.

One of the finest lineages in high-gain amplification The impossibly tight tones of the VH4 3rd channel are so revered that many players don’t see the need to use any of the amp’s other features. It’s with that in mind that we crafted the VH2. All of the best tones of the VH4, with nothing that will get in your way.

The Diezel Paul is a 45-watt head that delivers sparkling cleans to great dirty sounds paired added by a singing lead channel from a pair of JJ KT-77 output tubes and six 12AX7 preamp tubes. Features include three midi-switchable preamp sections (“clean”, “crunch” and “insane”), a MIDI-controllable reverb, MIDI-controlled FX loops (series and parallel) and much more.

The Diezel D-Moll is a muscular 100-watt head that delivers sparkling cleans to blistering dirty sounds from a quad of JJ KT-77 output tubes and six 12AX7 preamp tubes. Features include three midi-switchable preamp sections (“clean”,”crunch” and “insane”), a MIDI-controllable “Mid-Cu” MIDI-controlled FX loops (series and parallel) and much more.

More tone than meets the eye
When it comes to single-channel tube amps, not many can come close to the sheer versatility of the Big Max. Not only does the gain control take you through every shade of drive imaginable, but you’re sure to love every stop along the way.